He flits from being the really energetic young adult that we get introduced to, and the growingly desperate man, before basking in exuberance at the new lease of life given to him. Which James Franco doesn't disappoint, especially when he's chronicling what could be his final hours on earth in his camcorder.
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And while that feeling of being confined is nothing new, it does make you appreciate and realize that such moments aren't far fetched, because with so many idle hours parked in between figuring out and planning how to get out, we do that idle daydream even when we're busy, so what more when we have time on our hands, with literally nowhere else to go? There's a fine balance reached where we see how Aron splits time between keeping and planning to extend his lifespan when he realizes the really deep problem he's rooted in, and that of taking time off to think about the larger picture.
With the camera constantly pulling to the surface of the earth just to quantify the significance of being alone and the worrying point of having nobody to contact, the narrative here doesn't get all claustrophobic on us, because Boyle made it a point for the film to be a little expansive, with various reminiscence on Aron's part, and out of body fantasy and imaginary sequences of being somewhere else other than where Aron currently is. When we begin from Zero hour, you can't help but feel that it's probably going to be the same with another solo, constricted space situation captured on film like Buried, which had Ryan Reynolds in a one man show buried in a box underground, and fighting for his life against his terrorist captors whom you don't see. Quite the ladies man as well with his boyish charms and manly antics, if only to find himself never lingering at one spot, always on the go, not to allow anything to stand in his way of what could be the best weekend of his life. Based on the memoirs of Aron Ralston's true life experience of literally being stuck between a rock and a hard place (which of course makes for a catchy book title), while I haven't read that book, Danny Boyle has weaved an incredibly fast paced picture from the get go, introducing us to Aron the weekend adventurer, who takes to the canyons for biking, climbing and exploration, played to pitch perfection by James Franco in the leading role. Danny Boyle doesn't exploit this inevitable moment through lingering shots or in your face techniques, but does enough to bring forth the sheer horror and pain of the entire 127 hours ordeal that culminates with a none too pretty or neat self amputation of a limb, taking care of addressing and cutting through skin, meat, bone and tendon. Sure it's graphic, but nothing not already seen in a typical torture porn film. I think the reports and those who claim to have fainted when watching this is probably highly exaggerated.
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